I posted yesterday about Relics being released very soon. Turns out very soon was a day later! Here is the EP in digital form, available as a pre-release free download. http://patrickjosephmusic.com/freestuff.cfm
Patrick and I have been playing these versions of his songs live since about January of this year. We spend a lot of time recording these songs, and Patrick has spent even more time mixing them and making them sound great for the release! I’m very excited to be sharing this music with everyone, and I hope you enjoy it!
I’ve been working on new music for quite a while now. It is all in its final stages, and will be released soon!
Here is the first taste of the EP Relics coming out soon…the acoustic version of Patrick’s song “Don’t Believe It.”
And in case you haven’t already, check out the original version of “Don’t Believe It” from the album Antiques.
If you follow this site regularly, you know that I frequently work with my good friend Patrick Joseph on both music and videos to accompany that music. Patrick is an immensely talented singer/songwriter/multi-instrumentalist, and is a great collaborator. We have been working together for a little over a year now, and it has been an incredibly rewarding creative outlet for me as a guitarist. Working with a singer/songwriter can sometimes be a challenge. Artists typically have a very clear, concise idea of how they would like their songs to sound. Oftentimes this results in quite a limited and narrow creative space to occupy as a guitarist. Of course, there is good reason for these limitations as many artists spend hours and hours obsessing over how to make a song the best it can possibly be, and the last thing they want is for some crazy guitarist to come in and try to re-invent their wheel.
Patrick works the same way: spending hours and hours writing and recording, perfecting each and every note and lyric before a song can be deemed “complete.” The big difference is Patrick is willing to work as a collaborator as well. He allows me a lot of creative freedom. I am not held down by a predetermined notion of what a guitar player should or should not bring to his music. I create my own guitar parts, but more importantly, I can stretch and explore sonic territory atypical of the guitar. I can occupy space that might normally be occupied by a keyboard or synthesizer, or create atmospheric/ambient electronic sounds that make people (I hope) listen twice when they see acoustic guitars.
This is territory I am very fond of exploring as a guitarist, and it is also what makes working with Patrick such a rewarding experience. My creative goals of exploring new and/or different sounds are fully satisfied, and I benefit/learn from working and performing with a talented singer/songwriter.
This video is a departure from our typical do-it-yourself approach, and was shot by our friend, and amazing photographer/videographer, JP Agustin.
Arsonist Blues is from Relics, our upcoming EP of re-imagined versions of songs from Patrick’s debut album Antiques. Our covers EP is also in the works as well as many other projects that will be unveiled very soon!
Finally…some new music to share! It’s been a while, but I have been hard at work writing and recording new music, and playing shows in and around LA. My good friend and collaborator Patrick Joseph and I shot this video of us recording a slightly different take on the classic Feeling Good. I hope you enjoy it, and if you do, please share it with everyone you think might enjoy it too!
This cover (and our previous cover of Radiohead’s Idioteque) are a pretty good sample of what our live show sounds like…so…if you are in LA, we have a show coming up next Friday at Room 5 at 11pm!
Additionally, Patrick and I are excited to be releasing an EP of covers entitled Stranger’s Shoes this summer. It will include our previous covers along with some new ones, and there will be a video to go along with each one.
I have other music in the works as well. Nearing completion, and I’m very excited to share that with everyone. So stay tuned!
This is a cover of Radiohead’s “Idioteque” that I have been working on with my friend Patrick Joseph.
Everything you hear is acoustic guitar or vocals in some form.
Check it out! Leave some feedback.
This is about two years old, just thought I’d share it here. It was recorded live at my senior recital at USC.
I little free form improvisation with my friend, Scott Jones, on drums! Something new for the blog. A collaboration, and I believe the first entry of me on electric guitar. You’ll hear drums, a nice ambient shimmer over the top of everything (a loop I made on the fly), and a lead guitar line.
I have a few of these from the last time we got together, and will post them as the days go by. I’ve been really wanting to get some collaborative stuff up here, so big thanks to Scott for recording our jam and sending me the files.
If you are a fan of Radiohead…this post is for you. If you aren’t a fan of Radiohead…well, this post can still be for you anyway. I’ll post the original, and my cover, and you can decide which one you’d like to listen to first. (A word of warning: my version takes a little time to get going, but if you have the patience to listen as it develops, I think [hope] you will find it to be well worth it.)
If you don’t know the Radiohead song “Idioteque” from the album Kid A, or if you need a refresher, here is the video of the original:
And here is my interpretation:
Idioteque (Radiohead Cover) by lifetrackedinsound
I think that most people who know me musically, know that I have been, and continue to be, very captivated by the options/limitations of live looping/sampling. I have mostly worked with original improvisation and ambient sound types of looping/sampled music, so this is a bit of a departure for me. This is the second song I have arranged for solo guitar/looping device. The first was the Bjork song “Undo” (which I may post here someday).
This version of “Idioteque” is done entirely on acoustic guitar. It was all done in one take, recorded live, or in real-time. Which means there are no multi-track overdubs. There is very little processing other than a slight reverb and a slight delay on the direct signal from my Taylor acoustic. And yes, I know it is kind of a long piece, but the process of looping requires things to be that way. I spent a few hours doing my best to streamline the arrangement and make everything develop quicker, but adding layer by layer simply requires time to build all the parts into a foundation that the melody of the song is played over.
This is easily my favorite Radiohead song, so it made sense to attempt a cover arrangement/interpretation of it.
I hope you enjoy it!
This piece is a deconstruction of a chord progression/solo guitar idea I had. So in that sense I suppose it is a composition, but I’m also improvising all the ideas except the pulse at the very beginning and the chord progression. Everything you hear is played on a steel string acoustic guitar. There are no multi-track overdubs, each layer is added in real-time using an echoplex digital pro plus.