I posted yesterday about Relics being released very soon. Turns out very soon was a day later! Here is the EP in digital form, available as a pre-release free download. http://patrickjosephmusic.com/freestuff.cfm
Patrick and I have been playing these versions of his songs live since about January of this year. We spend a lot of time recording these songs, and Patrick has spent even more time mixing them and making them sound great for the release! I’m very excited to be sharing this music with everyone, and I hope you enjoy it!
I’ve been working on new music for quite a while now. It is all in its final stages, and will be released soon!
Here is the first taste of the EP Relics coming out soon…the acoustic version of Patrick’s song “Don’t Believe It.”
And in case you haven’t already, check out the original version of “Don’t Believe It” from the album Antiques.
If you follow this site regularly, you know that I frequently work with my good friend Patrick Joseph on both music and videos to accompany that music. Patrick is an immensely talented singer/songwriter/multi-instrumentalist, and is a great collaborator. We have been working together for a little over a year now, and it has been an incredibly rewarding creative outlet for me as a guitarist. Working with a singer/songwriter can sometimes be a challenge. Artists typically have a very clear, concise idea of how they would like their songs to sound. Oftentimes this results in quite a limited and narrow creative space to occupy as a guitarist. Of course, there is good reason for these limitations as many artists spend hours and hours obsessing over how to make a song the best it can possibly be, and the last thing they want is for some crazy guitarist to come in and try to re-invent their wheel.
Patrick works the same way: spending hours and hours writing and recording, perfecting each and every note and lyric before a song can be deemed “complete.” The big difference is Patrick is willing to work as a collaborator as well. He allows me a lot of creative freedom. I am not held down by a predetermined notion of what a guitar player should or should not bring to his music. I create my own guitar parts, but more importantly, I can stretch and explore sonic territory atypical of the guitar. I can occupy space that might normally be occupied by a keyboard or synthesizer, or create atmospheric/ambient electronic sounds that make people (I hope) listen twice when they see acoustic guitars.
This is territory I am very fond of exploring as a guitarist, and it is also what makes working with Patrick such a rewarding experience. My creative goals of exploring new and/or different sounds are fully satisfied, and I benefit/learn from working and performing with a talented singer/songwriter.
This video is a departure from our typical do-it-yourself approach, and was shot by our friend, and amazing photographer/videographer, JP Agustin.
Arsonist Blues is from Relics, our upcoming EP of re-imagined versions of songs from Patrick’s debut album Antiques. Our covers EP is also in the works as well as many other projects that will be unveiled very soon!
Finally…some new music to share! It’s been a while, but I have been hard at work writing and recording new music, and playing shows in and around LA. My good friend and collaborator Patrick Joseph and I shot this video of us recording a slightly different take on the classic Feeling Good. I hope you enjoy it, and if you do, please share it with everyone you think might enjoy it too!
This cover (and our previous cover of Radiohead’s Idioteque) are a pretty good sample of what our live show sounds like…so…if you are in LA, we have a show coming up next Friday at Room 5 at 11pm!
Additionally, Patrick and I are excited to be releasing an EP of covers entitled Stranger’s Shoes this summer. It will include our previous covers along with some new ones, and there will be a video to go along with each one.
I have other music in the works as well. Nearing completion, and I’m very excited to share that with everyone. So stay tuned!
This is a cover of Radiohead’s “Idioteque” that I have been working on with my friend Patrick Joseph.
Everything you hear is acoustic guitar or vocals in some form.
Check it out! Leave some feedback.
“The blues has lasted because the blues is about reality. Life is blue. Life ends. Sorrow is certain. Pain can’t be avoided. The blues lays it out. But as you sing the blues, and as you listen to the blues, something happens to you. In the middle of songs that have some of the saddest stories ever told, you feel more alive than ever. That’s the strength of the blues. That’s the miracle – watching the blues chase the blues away.” – Little Jimmy Scott
I’ve found myself in a place, musically speaking, that I would have never imagined. Not 4 years ago, not 10 years ago. But that seems to be the way life goes. You get busy making plans, and you miss life happening all around you while you are making those plans. At least that is how I feel. No matter what you think is going to happen, life probably has a different plan. So, come what may…
In high school and a couple years into college I was very much about only the music I liked and wasn’t really open to other styles. I had my Metallica, Tool, and my Dream Theater (and many other bands of the heavier persuasion) and I didn’t need anything else. (I’d chalk it up to teenage angst…but I was not angsty at all, I had no reason to be.) I didn’t like anything else really…except for Bob Dylan, but more in a passing sense. I didn’t even own a steel-string acoustic guitar until about 4 years ago, and even then, I rarely played it.
Which brings me to today…and my current affliction: I’ve become obssessed with folk music, americana, blues…whatever you want to call it. I find myself finger-picking away at very traditional sounding chord progressions late into the night time and time again. I find myself sitting for hours on end playing slide guitar, essentially re-learning everything because the tunings change the layout of the fingerboard and the technique requires completely different mechanics. And I enjoy it much more than I ever thought possible. A cool spring evening, a guitar in open-D tuning, slide in hand, and all is right with the world for that moment (or in my own selfish little world at least).
So, here are two pieces inspired by that folk obsession. By artists like Kelly Joe Phelps, Bill Frisell, Bob Dylan, etc. etc.
Slide guitar is the sound closest to that of a human voice, capable of so many inflections, emotions, and prone to imperfections of sound. It sounds like a weeping soul to me. Sorrowful and melancholy, but somehow still uplifting. Somehow still hopeful. And I think that is a pretty good reflection of how life can be sometimes.
You lose the blues by playing the blues.
This piece is a deconstruction of a chord progression/solo guitar idea I had. So in that sense I suppose it is a composition, but I’m also improvising all the ideas except the pulse at the very beginning and the chord progression. Everything you hear is played on a steel string acoustic guitar. There are no multi-track overdubs, each layer is added in real-time using an echoplex digital pro plus.
This piece happened for two reasons…
1. I was feeling like some moody modal improvisation.
2. I wanted to try recording my Hans Pukke (luthier) classical guitar to see what sounds I could get with my limited recording setup.
I have always known this guitar to have amazing balance and incredible treble tones. One of my favorite things about it is the way notes just sing on and seem to ring forever after they have been played. The overtones and harmonics this guitar generates are out of this world. It just has such a rich sound, and I feel very lucky to own this instrument. Unfortunately, I don’t think the microphone I have really does it justice, but I think this recording came out alright nonetheless.
So this is not the piece I have been working on that I mentioned in the previous post. I had to take a break from that one before attempting to record it again. Hopefully that one will be posted soon. But in the meantime…
I sat down earlier today and came up with the main melodic idea in this piece and decided to turn it into something. Steel-string acoustic guitar tuned down a whole step from standard tuning. I’m not really sure if I should call this an improvisation or not. I came up with the idea very quickly, and recorded it very quickly…it felt much more like a composition than an improvisation, but it happened very spontaneously. In any case…here it is…
A new one I recorded in one take earlier today. Open D-tuning. Lap steel resonator guitar.