I little free form improvisation with my friend, Scott Jones, on drums! Something new for the blog. A collaboration, and I believe the first entry of me on electric guitar. You’ll hear drums, a nice ambient shimmer over the top of everything (a loop I made on the fly), and a lead guitar line.
I have a few of these from the last time we got together, and will post them as the days go by. I’ve been really wanting to get some collaborative stuff up here, so big thanks to Scott for recording our jam and sending me the files.
“The blues has lasted because the blues is about reality. Life is blue. Life ends. Sorrow is certain. Pain can’t be avoided. The blues lays it out. But as you sing the blues, and as you listen to the blues, something happens to you. In the middle of songs that have some of the saddest stories ever told, you feel more alive than ever. That’s the strength of the blues. That’s the miracle – watching the blues chase the blues away.” – Little Jimmy Scott
I’ve found myself in a place, musically speaking, that I would have never imagined. Not 4 years ago, not 10 years ago. But that seems to be the way life goes. You get busy making plans, and you miss life happening all around you while you are making those plans. At least that is how I feel. No matter what you think is going to happen, life probably has a different plan. So, come what may…
In high school and a couple years into college I was very much about only the music I liked and wasn’t really open to other styles. I had my Metallica, Tool, and my Dream Theater (and many other bands of the heavier persuasion) and I didn’t need anything else. (I’d chalk it up to teenage angst…but I was not angsty at all, I had no reason to be.) I didn’t like anything else really…except for Bob Dylan, but more in a passing sense. I didn’t even own a steel-string acoustic guitar until about 4 years ago, and even then, I rarely played it.
Which brings me to today…and my current affliction: I’ve become obssessed with folk music, americana, blues…whatever you want to call it. I find myself finger-picking away at very traditional sounding chord progressions late into the night time and time again. I find myself sitting for hours on end playing slide guitar, essentially re-learning everything because the tunings change the layout of the fingerboard and the technique requires completely different mechanics. And I enjoy it much more than I ever thought possible. A cool spring evening, a guitar in open-D tuning, slide in hand, and all is right with the world for that moment (or in my own selfish little world at least).
So, here are two pieces inspired by that folk obsession. By artists like Kelly Joe Phelps, Bill Frisell, Bob Dylan, etc. etc.
Slide guitar is the sound closest to that of a human voice, capable of so many inflections, emotions, and prone to imperfections of sound. It sounds like a weeping soul to me. Sorrowful and melancholy, but somehow still uplifting. Somehow still hopeful. And I think that is a pretty good reflection of how life can be sometimes.
You lose the blues by playing the blues.
If you are a fan of Radiohead…this post is for you. If you aren’t a fan of Radiohead…well, this post can still be for you anyway. I’ll post the original, and my cover, and you can decide which one you’d like to listen to first. (A word of warning: my version takes a little time to get going, but if you have the patience to listen as it develops, I think [hope] you will find it to be well worth it.)
If you don’t know the Radiohead song “Idioteque” from the album Kid A, or if you need a refresher, here is the video of the original:
And here is my interpretation:
Idioteque (Radiohead Cover) by lifetrackedinsound
I think that most people who know me musically, know that I have been, and continue to be, very captivated by the options/limitations of live looping/sampling. I have mostly worked with original improvisation and ambient sound types of looping/sampled music, so this is a bit of a departure for me. This is the second song I have arranged for solo guitar/looping device. The first was the Bjork song “Undo” (which I may post here someday).
This version of “Idioteque” is done entirely on acoustic guitar. It was all done in one take, recorded live, or in real-time. Which means there are no multi-track overdubs. There is very little processing other than a slight reverb and a slight delay on the direct signal from my Taylor acoustic. And yes, I know it is kind of a long piece, but the process of looping requires things to be that way. I spent a few hours doing my best to streamline the arrangement and make everything develop quicker, but adding layer by layer simply requires time to build all the parts into a foundation that the melody of the song is played over.
This is easily my favorite Radiohead song, so it made sense to attempt a cover arrangement/interpretation of it.
I hope you enjoy it!
This piece is a deconstruction of a chord progression/solo guitar idea I had. So in that sense I suppose it is a composition, but I’m also improvising all the ideas except the pulse at the very beginning and the chord progression. Everything you hear is played on a steel string acoustic guitar. There are no multi-track overdubs, each layer is added in real-time using an echoplex digital pro plus.
This is the spoken word portion from (probably, most likely) the best thing I’ve ever found on the internet, in Bb 2.0. If you haven’t checked it out yet, you should. There is something so very poignant and resonant about these words, especially the last line: “This is not about what I produce. It is all about what others receive.”
That (not so) simple thought is a source of inspiration for me. It is an idea that has been with me, and a part of how I think about music and art in general, for the past few years in some form or another. And it is a constant source of thoughts and questions. Eventually, I may share these thoughts, questions, and what these words mean to me, but for now, I’ll just share the words themselves…
By Daniel Donahoo (2009)
she closes the lid
and unplugs the device
no bigger than her thumb
from the computer.
My lifes work, she says. But, it isnt her lifes work.
You see, we store information like an Escher painting.
It shouldnt all fit in there. But, it does.
And every day we manage to fit more and more into smaller and smaller spaces until one day
we will be able to fit all the information the world has
everything that everyone knows and believes and dreams
It will all be there. Stored and filed.
Tagged with any keywords you might imagine.
Our hard drives will be thin air.
They will make nanobots look like elephants.
And elephants will be in there too. Tagged. Accessible with search terms
like grey, ivory,
and the largest land dwelling mammal
We will process away at nothing and understand everything.
We will think of a word and the information will slip in, not through our ears or eyes
but straight thorough our skin. Information will breathe in and out of us,
permeate our skin.
Our knowing will be as deep as it is wide.
You see our work here is to learn so much,
to be so full of knowing,
that all there is left to do is unlearn.
Humanity must get to a point where we let go.
We leave the useless ideas and the spent ideologies in the recycle bin.
like an adolescent brain shedding neurons.
like a snake slithering from its old skin.
like an old man who has come to understand so well the point where reality meets the intangible that he is able to decide which breath will be his last. And, he will enjoy that breath more than any that he has taken in his entire life.
And, her lifes work is more than a four meg flash drive.
My lifes work, she says, is the impact that this has.
This is not about what I produce. It is all about what others receive.
This piece happened for two reasons…
1. I was feeling like some moody modal improvisation.
2. I wanted to try recording my Hans Pukke (luthier) classical guitar to see what sounds I could get with my limited recording setup.
I have always known this guitar to have amazing balance and incredible treble tones. One of my favorite things about it is the way notes just sing on and seem to ring forever after they have been played. The overtones and harmonics this guitar generates are out of this world. It just has such a rich sound, and I feel very lucky to own this instrument. Unfortunately, I don’t think the microphone I have really does it justice, but I think this recording came out alright nonetheless.